Alfredo
Garcia's mosaic sculpture, "Shattered Body" reinvents one of the oldest
artistic traditions in European Art. As he shatters various pieces of patterned
tiles and places them onto an unconventional surface, he creates a modern
rebirth of the mosaic. Historically, in
ancient art, mosaics were often used for decorating floors and footbaths in
wealthy homes. The artists would produce these designs by breaking marble,
stone or glass into small pieces and painting wet grout over the spaces between
the fragments. When the cement dried,
the pieces would gleam as a solid, beautiful surface.
Although
mosaics have become somewhat of a "lost art", Garcia manages to
awaken this tradition in his strikingly unique sculpture. He uses shards of
tile which feature abstract designs as opposed to solid colors to add
complexity and break with tradition. Moreover, Garcia attaches these pieces onto
a headless female mannequin figure covered in black grout instead of the
traditional white color. By defying the conventional mosaic-tile surface,
Garcia forces us to perceive his art work with new eyes.
There are
various ways that Garcia encourages viewers to approach his work,
"Shattered Body". Firstly, the female figure, is idealistically
crafted in terms of anatomical dimensions and shape. In accordance with this
theme of idealism, Garcia chooses tiles with tapestry-like patterns, a
suggestion of the domestic sphere, which is stereotypically dominated by women.
However, by fragmenting these pieces, the female form seems to be escaping from
the constrictions of home life, shattering away her conventional mold. Also, one can recognize a sense of female empowerment through
the careful, hand-made quality of the body, which suggests a sensitivity behind
its construction.
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